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新作介绍 布拉格的派系之争Alternativa

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[新作介绍] 布拉格的派系之争Alternativa

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楼主
发表于 2007-4-6 18:10 | 只看该作者 回帖奖励 |倒序浏览 |阅读模式

布拉格的派系之争Alternativa

捷克开发小组First Reality正在制作一部黑暗科幻冒险游戏,从发布的游戏截图来看似乎很有现实感,灰暗的重工业区,环境透射金属质地的风格。故事讲述一个重装机械军事部队控制下的未来布拉格,到处被独裁势力的机器守卫渗透了,工作职位稀缺,被两家大公司Endora,Theolex实际把持。而当Endora总部宣布停业后,Richard Rocek在维权无望中加入抵制者的行列。游戏制作依然会采用传统第三人称视点,非线性叙事,少量角色扮演和恐怖成分。  R) f0 e1 A6 \( z
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补发图片) x' k& J- |5 ?+ m8 N# w

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收藏收藏 分享分享 很美好很美好 很差劲很差劲
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沙发
发表于 2007-4-6 19:18 | 只看该作者
LZ这条消息有点让人摸不着头脑啊  能不能再详细点呢? [s:23]
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saphirblue 该用户已被删除
板凳
发表于 2007-4-6 21:54 | 只看该作者
为什么这么多游戏都选择布拉格呢?
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地板
 楼主| 发表于 2007-4-7 00:28 | 只看该作者
因为深厚的文化底蕴?从米兰昆德拉到周杰伦都描写过这座城市,既适合举办古典音乐会也可能蕴藏爆发一场战争,再把个人的恋情糅合进去,从各个角度欣赏都觉得像艺术品 [s:22] 。
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saphirblue 该用户已被删除
5#
发表于 2007-4-7 03:02 | 只看该作者
列举了一下有“布拉格”这一场景的以前的游戏呵呵:(加上现在这个)
7 |2 K# {! v% k) _7 o, A- P) @
: D: B* ]2 u$ i+ BStill Life
& U5 X3 \% y+ Q; k( [NIBIRU
/ E, e/ n% v: Z5 O( P$ p3 ~# jBroken Sword 3 Sleeping Dragon
+ O, T2 c3 W3 z" WIndiana Jones And The Emperor′s Tomb; M6 h+ S' I2 |4 ]6 T- O
Tomb Raider 6 Angel Of Darkness7 V; j5 B8 G: e1 t1 O6 ^
Vampire:The Masquerade! F  D' i% r! T0 P5 y5 b

; G" D# g3 m3 x/ f% Y- Q好多啊,AVG也不少
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6#
 楼主| 发表于 2007-4-7 14:51 | 只看该作者
二战类的游戏多少都可能会涉及布拉格,如果你玩战地1942的话,继续搜集,可以从墙头刷到墙尾。德国军人喜欢边听瓦格纳的音乐边杀人,讲求形式上的和谐统一,看发条橙听贝多芬,表现暴力欲,再如Eminem的RAP,超越音乐的形式它们都是相通的。
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7#
 楼主| 发表于 2007-4-7 15:17 | 只看该作者
橙色的囚服看起来很亮眼。。。回想起沉默羔羊中的场面。* f4 }9 l1 [# G0 o2 _+ d

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) A- f; f( z/ [0 F: g0 X5 p8 B7 m! U9 Q. V! Z
Eminem You Don't Know Lyrics
* m* }6 d* Q( i4 {( @; v[ Intro ]
: c/ ]" X4 `  i  Y! uEminem:Shady.. 50 Cent:Yeah..6 ~. g: p. R- s4 T6 n! a

" U3 g# l8 X) h( I) aWho run it? You know, you actin' like you don't know..
( p3 N; A8 S2 y6 Z# N% U. sWe run it.. You know but you actin' like you don't know.." N  ?' i9 m5 F
Who run it? You know, you actin' like you don't know.." G: s, V4 N8 H  r' F
We run it.. You know but you actin' like you don't know..
% r# h6 V/ Q  W2 ^* A. S* ^2 k- ?; p8 f% p  a; v
[ Chorus ]( ]9 }$ {( S8 L) M5 D
- {( x- e. n; F1 G3 n
You know, you actin' like you don't know2 F8 B+ S& b5 B: J  n+ n
I tear the club up fo' sho
0 j3 B, P7 R5 A7 [This flow is gon' bring more dough3 s1 I- d. n3 h& ^! r
And you know but actin' like you don't know1 |6 n7 E6 p/ ~: O9 s! d) f5 J- u- `

' }1 F5 C* W8 `[ Verse 1 ] [ 50 cent ]$ {/ ^6 C# _6 c% h" |
1 k4 ~& A/ |1 l; e( \
Now homie I say I run it run it cause I’m in control9 x, g4 n0 ?. J8 r( |4 ~* ?2 \- E
Hypnotic, hennessey, a couple shots of patrone+ D* n/ g* \, m, P1 S
I have you feelin' the hype, I get you high as a kite7 {/ ]( l! W& @7 I1 [( B
Party poppin' shorty said she's comin' with me tonight! B6 t8 Q% B7 a* k5 J
I ain't shoulder leanin', I ain't snappin' and poppin'0 x$ g$ {* `/ {
Either I’m bobbin' my head or I’m just standin' there watchin' [uh huh!]6 t5 G. I& A5 y. f8 R. y0 }# V
I'm a hustler I hustle, you can tell that I’m paid, ^" i; `0 u! G" v5 O. u0 J% x& W
And I protect what I got, I’m in the house with my blade  k. v9 M! w5 w/ A6 ^& w* n6 Z
Nigga you front you gon' get it, ok now maybe I said it( I* J5 ?* X2 T) p& m& h
'cause I want you triddip, yeah I be on that shiddit0 _1 J; r' x/ ?! z% i( `3 A) d
You should see when I’m stuntin' I flash the stones that be wantin' (haha!)
. E( A6 r5 e; @( M: D8 _. w( aPush the whip see me rollin', you can tell that I’m holdin'
% I6 }7 I, x0 W7 yI'm just doin' my thang, you know the units the gang$ b1 {- U0 P* x5 p
I got my grimey shady with me you front you'll have to get me4 v- V+ ], e6 z. X$ W3 c
Off your ass (yeah!), I pay the lawsuit and laugh (haha!)2 O! F& r, i& v( \$ `3 C* R( \
It's not a big deal it's nuttin' but some cash.. [bring the hook back!]
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[ Chorus ]
, V3 x0 O# v: z& K. K" V7 ]' z7 ?% H* z8 t2 \6 R; l- O
Who run it? You know, you actin' like you don't know
" E, ~. v1 |: v' sI tear the club up fo' sho
0 X& {7 V* h# ?/ n- \% P  D1 d4 rThis flow is gon' bring more dough [fifty]' K3 Q# R, L0 U
And you know but actin' like you don't know [g-unit!]" }4 y/ c4 z3 N& R& i$ F; A
Who run it? You know, you actin' like you don't know
8 T0 x- z! p9 K8 cI tear the club up fo' sho
! T* P9 a- d3 ]# O" }This flow is gon' bring more dough [yeah!]
, b0 E, a& s4 [; A5 }& sAnd you know but actin' like you don't know# \: M6 H+ q6 q. k! N3 G& A
* u% C2 M6 H( _+ K) d, c% X
[ Verse 2 ] [ Eminem ]) Y  z/ Z4 J/ o  E: o' W

2 ]6 E9 |1 a+ n/ X& nWhen me and fif got together to do this music
! f1 u/ y4 L; qThe more we became enveloped we just developed a fellowship through it
9 L- B9 G7 S$ ~  m. L6 a5 |& J+ V8 _It's no pretend shit, it's friendship, me nemisis is su nemisis
- h6 C4 y1 M3 }Same for him, it's just media, see to them it's just images [come on!]9 m8 S+ d* V- P5 n
But this shit is new gimmicks, this is blood in and blood out (whoooo!)7 U1 C- x2 i, N
When it's beef you jus' gotta know when to butt in and butt out
( B7 T/ p  o' d  n8 w1 w; @' a9 OIf there's a problem we solve it, we don't resolve it7 u, R. j3 ~( P5 g
It just usually jus' evolves into one big brawl and we all get involved in it [yeah!]
+ I. E, v0 ]3 l0 F& F5 [0 N! FWe should all get a merit, as much beef we inherit8 Z4 t; b( e1 k
And wear it like a badge of honor, pass it around and share it
6 s% v/ _: `( L. FAnd let it go to whoevers holdin' the most current beef on their shoulders9 N; B8 b8 U7 D; b" \) T5 E
And their soldiers got their backs till it's over
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( K. j% F7 z" f$ M( z/ EBut tonight, we ain't comin' here to beef with nobody
- J( B7 Q. K7 [( P7 }0 Z: H" dWe came to party, Banks, Cashis and Mr. Ferrari: q( C1 W( l; F+ t+ V
So it's shady after-mizz-ath back in that ass, you izz-ass [yeah.. Come on!]" S* ~* E( U* W# W$ i) H( o$ q
Come izzon what kinda fizz-uckin' question is that.. (haaa!)
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[ Chorus ]
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Who run it? [you know, you actin' like you don't know]* O# S: @3 _7 l- |
I tear the club up fo' sho
& b& m3 X6 `3 y. {4 F3 K[this flow is gon' bring more dough]) x: G6 F  r. z+ L  L
And you know but actin' like you don't know, k0 P5 H' R0 @. v" q. J# v& r+ M
Who run it? [i said you know, you actin' like you don't know]
# U8 k8 l: o/ x2 ZI tear the club up fo' sho
  {* s" E0 ^0 M8 t. B/ `% x' S[this flow is gon' bring more dough]8 Q* o! r' e' @: r9 _
And you know but actin' like you don't know {cashis, break it down now!}/ d+ v4 S$ r  `) ~% z' t. J2 a
7 X* Q( Y. w1 Y# j% K. w$ ~1 _
[ Verse 3 ] [ Cashis ]" H: a! Q# l1 m. j  W- u

; R# R% p/ j& ^. r( H7 m: rPistol play, ricochet, see where the victim lay
" A; S" T9 A# QSlumped over bleedin', JFK4 T  E' `  X) d7 o3 d
HK to your chest plate) [  I& e4 R, ~: c- N  f
Cave out and ride till the death, do you rep that way
# Z+ {; R% z8 V. GForever I’ma be a shady 7-4 gangster4 _1 c5 o7 M$ R  V: ~$ @
Plus I survived everything you got in that chamber3 t. m$ N6 F% t/ O; y
I thrived off-a danger, jumpin' in all beef0 z) Y, ^! v' E3 ^
You keep talkin' shit, now the squad called me.. [Banks!]
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[ Verse 4 ] [ Lloyd banks ]; }! ^1 X% y& b! [0 n
4 o6 h3 s* R: }; a7 [/ x
Enough holdin' back the steam (uh), Em let off a magazine, e4 W9 n# p( Y# d9 W! E1 J
Dappadon cappa-queens, mixed in with Cashis creams (yeah): w5 v# Y& d. Z- N
Started off with half a dream, developed into what you see
  Q1 v/ `6 s7 R/ U+ A- p/ FTellin' ain't my cup of tea, can't tell I’m a fuckin' g [uh huh!]* Z, ]) D7 ^# ?+ [/ \5 l9 ]; v8 X
I'ma hold a 'matic, when I’m at it, start static and you splattered
$ y# v/ J8 M% C# g1 f# i8 \8 }Shit shattered, I’m a walkin' bitch magnet [oh!]
3 I8 q# L# g+ ^& y. _; jSpit it how I live it, live it all the way to the limit. ?5 y/ \" S5 v1 e; \6 n3 }
And I’m always on my pivot for my digits, you dig it.. [come on!]
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[ Chorus ]& }, @' Z! o+ D: z$ J& s* H' v- _

& m* o0 u" I3 _- u8 oWe run it! You know, you actin' like you don't know [whoa!]
1 l4 T; k# q& ~; W1 ]5 QI tear the club up fo' sho [fo' sho!]9 q) j; n+ J* X2 O8 j' I; f
This flow is gon' bring more dough [more dough!]
3 Z8 U. Q$ y9 yAnd you know but you actin' like you don't know [don't know!]
; z1 f5 R; R' hWho run it? You know, you actin' like you don't know [yeah!]4 J$ _+ M; H# o! L& z) x
I tear the club up fo' sho
- B1 Z' G3 d4 N3 RThis flow is gon' bring more dough
4 C& I/ d4 N: zAnd you know but you actin' like you don't know) m% w" v; W6 n7 _6 ~% c8 d
Who run it?
' u* e: g9 L3 B' q: O+ b7 {
7 }+ Z" l& u/ S) C2 C8 {+ n) E[ Outro ] [ Tony Yayo ]
1 Z. S; s9 B& c4 m( W% l3 P
; w0 e) m) v+ V$ ]You know what this is..; F4 U. n) J  b5 c
Shady.. G-unit.. Aftermath..
/ G1 N1 M+ P% z, c3 iLloyd banks.. Cashis.. Marshall Mathers.. Ferrari F-50..: o) x  q! t) d
Its a movement.. You can't stop it..
3 w+ j& |8 w3 I  tTalk of New York, Tony Yayo.., X% u) X( p) x# W3 t
Go.......
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8#
发表于 2007-4-7 23:05 | 只看该作者
引用第5楼ridk2007-04-07 14:51发表的“”:
) J1 ]; p* I  ~; c# k8 M- C二战类的游戏多少都可能会涉及布拉格,如果你玩战地1942的话,继续搜集,可以从墙头刷到墙尾。德国军人喜欢边听瓦格纳的音乐边杀人,讲求形式上的和谐统一,看发条橙听贝多芬,表现暴力欲,再如Eminem的RAP,超越音乐的形式它们都是相通的。

1 T  A% i9 V0 D0 K  q! S, X! K& t+ T5 q& t2 l. x" I; c
这个话题可以叫skywalker来主讲 [s:23]
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另外07年的《mozart》也发生在布拉格
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9#
 楼主| 发表于 2007-4-8 16:31 | 只看该作者
引用第7楼candywren2007-04-07 23:05发表的“”:/ c) Z6 }0 y) w

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这个话题可以叫skywalker来主讲 [s:23]
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. x$ l3 P0 X) X3 Z  M.......

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9 Y* L& J0 N& S8 v3 e对巴赫的d小调托卡塔与赋格更感兴趣,自由发挥与繁复的多节拍轮换,节奏鲜活悦耳适合当调节气氛的背景乐[s:22] 。
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10#
发表于 2007-4-9 09:15 | 只看该作者
很漂亮的画面,尤其是设定稿真是太有感觉了!我喜欢! [s:2]
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