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新作介绍 布拉格的派系之争Alternativa

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[新作介绍] 布拉格的派系之争Alternativa

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楼主
发表于 2007-4-6 18:10 | 只看该作者 回帖奖励 |倒序浏览 |阅读模式

布拉格的派系之争Alternativa

捷克开发小组First Reality正在制作一部黑暗科幻冒险游戏,从发布的游戏截图来看似乎很有现实感,灰暗的重工业区,环境透射金属质地的风格。故事讲述一个重装机械军事部队控制下的未来布拉格,到处被独裁势力的机器守卫渗透了,工作职位稀缺,被两家大公司Endora,Theolex实际把持。而当Endora总部宣布停业后,Richard Rocek在维权无望中加入抵制者的行列。游戏制作依然会采用传统第三人称视点,非线性叙事,少量角色扮演和恐怖成分。  f' Y9 k( G3 {( K8 y# J

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+ [2 I. ^* ?% l补发图片
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收藏收藏 分享分享 很美好很美好 很差劲很差劲
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沙发
发表于 2007-4-6 19:18 | 只看该作者
LZ这条消息有点让人摸不着头脑啊  能不能再详细点呢? [s:23]
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saphirblue 该用户已被删除
板凳
发表于 2007-4-6 21:54 | 只看该作者
为什么这么多游戏都选择布拉格呢?
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地板
 楼主| 发表于 2007-4-7 00:28 | 只看该作者
因为深厚的文化底蕴?从米兰昆德拉到周杰伦都描写过这座城市,既适合举办古典音乐会也可能蕴藏爆发一场战争,再把个人的恋情糅合进去,从各个角度欣赏都觉得像艺术品 [s:22] 。
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saphirblue 该用户已被删除
5#
发表于 2007-4-7 03:02 | 只看该作者
列举了一下有“布拉格”这一场景的以前的游戏呵呵:(加上现在这个)
0 ]! X, o  m# j- L7 E
' u0 T( Q' v7 o+ Q5 `Still Life
0 {3 A: |% z" c# f5 h# [NIBIRU
& A# E8 V5 z; `) {0 A# r* jBroken Sword 3 Sleeping Dragon
( Z- H, [8 _4 C: EIndiana Jones And The Emperor′s Tomb
3 M/ A  D- t# C8 ~3 eTomb Raider 6 Angel Of Darkness! j( `/ ]' z9 l" R; A
Vampire:The Masquerade+ G! w$ W# N7 H7 F  B5 O+ K

$ g8 _# W+ M5 M) ]7 G好多啊,AVG也不少
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6#
 楼主| 发表于 2007-4-7 14:51 | 只看该作者
二战类的游戏多少都可能会涉及布拉格,如果你玩战地1942的话,继续搜集,可以从墙头刷到墙尾。德国军人喜欢边听瓦格纳的音乐边杀人,讲求形式上的和谐统一,看发条橙听贝多芬,表现暴力欲,再如Eminem的RAP,超越音乐的形式它们都是相通的。
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7#
 楼主| 发表于 2007-4-7 15:17 | 只看该作者
橙色的囚服看起来很亮眼。。。回想起沉默羔羊中的场面。
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! O$ d! ]; L# q, l0 N  ?9 c; H: F" @0 d- M# \1 s7 }! t* J
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Eminem You Don't Know Lyrics . p6 w2 f- P; b& A, r+ x
[ Intro ]
" a: e/ Q9 J8 HEminem:Shady.. 50 Cent:Yeah..8 X6 Y; {* R7 U' G' U; _9 d
, g8 r" M; [& a! w
Who run it? You know, you actin' like you don't know..4 Z- y# }# s  W" c( l2 p8 o
We run it.. You know but you actin' like you don't know..9 a. o, `" k% r- z  h) m: |
Who run it? You know, you actin' like you don't know..
. z: ?2 r/ H. f- kWe run it.. You know but you actin' like you don't know..
; {% [, N; \( R% L  S% {( F0 x  T# b( |
[ Chorus ]4 V/ @$ Z$ s6 t( q
' c% g$ k8 z# m5 L2 b
You know, you actin' like you don't know0 L, Y( f; z% H+ \) {# f
I tear the club up fo' sho
$ J" u! l  H/ h6 d6 q$ L. M: x0 nThis flow is gon' bring more dough# k* B  l% n5 _; ?) m" r8 _
And you know but actin' like you don't know
: [7 w0 t4 Q# p2 w! K$ }5 t: U5 N2 ]
[ Verse 1 ] [ 50 cent ]; N+ B1 M$ {/ @- @  ?* D  `: M
% w5 k2 v: |- ?2 k' l9 }
Now homie I say I run it run it cause I’m in control* A$ ^$ z3 E5 V* a
Hypnotic, hennessey, a couple shots of patrone
+ k5 D2 }6 g% |: R: z/ [6 BI have you feelin' the hype, I get you high as a kite# [, m% s7 N5 C4 c) u
Party poppin' shorty said she's comin' with me tonight- ]% z' R/ ^, j9 n# B
I ain't shoulder leanin', I ain't snappin' and poppin'+ {6 A7 p2 ?9 o! E* U# v
Either I’m bobbin' my head or I’m just standin' there watchin' [uh huh!]$ m4 S. r# O8 M1 B# m$ d* y
I'm a hustler I hustle, you can tell that I’m paid( u6 Z2 n0 ~% p
And I protect what I got, I’m in the house with my blade( h0 {& g) ?9 i0 u7 Q; J
Nigga you front you gon' get it, ok now maybe I said it1 c5 r1 C+ ?; \" p: B- d1 h- _
'cause I want you triddip, yeah I be on that shiddit
1 t, U$ h% o9 G# q' zYou should see when I’m stuntin' I flash the stones that be wantin' (haha!)
; l0 I( S+ c& f8 L4 u& qPush the whip see me rollin', you can tell that I’m holdin'
" ^; Z$ r+ ^$ g% @$ zI'm just doin' my thang, you know the units the gang
: d/ T& d- ~& N  t+ t" z; RI got my grimey shady with me you front you'll have to get me
% f9 G& d3 L! ?( a6 BOff your ass (yeah!), I pay the lawsuit and laugh (haha!)
0 f2 Q. k7 ~4 j6 E9 x/ U1 iIt's not a big deal it's nuttin' but some cash.. [bring the hook back!]
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+ z1 ]) u; n1 _, `) t[ Chorus ]
2 v# Y4 G; D- M1 J  U( I) v; B7 J5 f0 `8 U8 d9 @5 o4 _
Who run it? You know, you actin' like you don't know
7 P4 G4 i" Y4 A2 H& xI tear the club up fo' sho$ Q# J4 w3 r* v; h* z
This flow is gon' bring more dough [fifty]  b/ V# [9 s- A: \
And you know but actin' like you don't know [g-unit!]8 R1 B+ |+ V) X1 X! D0 Y
Who run it? You know, you actin' like you don't know
- o" J" _! N  @, H! yI tear the club up fo' sho
8 C, Q! {# ^+ f: ~& J- HThis flow is gon' bring more dough [yeah!]
* V5 l" I$ a, i7 x; k% hAnd you know but actin' like you don't know
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: e* p$ C$ F. ?$ t. b. s5 b! n[ Verse 2 ] [ Eminem ]
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: f: L& Q( t; B) y6 |! c8 E  {When me and fif got together to do this music
# F8 B+ H& v6 ]# uThe more we became enveloped we just developed a fellowship through it" F9 ~+ y0 g/ f1 o! q
It's no pretend shit, it's friendship, me nemisis is su nemisis4 ]1 m' v  `5 O; N
Same for him, it's just media, see to them it's just images [come on!]
- V5 e' e0 h+ F) x2 w7 S& p% }, KBut this shit is new gimmicks, this is blood in and blood out (whoooo!)
  v. L9 n2 J  i7 t5 |When it's beef you jus' gotta know when to butt in and butt out
$ p- M( r7 p, d- wIf there's a problem we solve it, we don't resolve it6 `8 o8 q3 o" e+ J6 k, }
It just usually jus' evolves into one big brawl and we all get involved in it [yeah!]
7 x8 P  p$ O: a# [2 zWe should all get a merit, as much beef we inherit
% k% k* f& A- b: T$ bAnd wear it like a badge of honor, pass it around and share it+ A% X) {8 P! r" B! G
And let it go to whoevers holdin' the most current beef on their shoulders
. N3 q2 _4 d' Q1 \& }And their soldiers got their backs till it's over* x& O2 X* {& A9 u  z

) n+ }* O$ L9 w! t3 f1 ?+ S, cBut tonight, we ain't comin' here to beef with nobody9 L& n+ q  @5 ^0 S/ e4 P
We came to party, Banks, Cashis and Mr. Ferrari' Q4 x! f1 a" a* Y% @' ?
So it's shady after-mizz-ath back in that ass, you izz-ass [yeah.. Come on!]
. e( R5 h1 ^# x2 d9 k9 y3 ICome izzon what kinda fizz-uckin' question is that.. (haaa!)4 b5 f& [/ m1 p4 ~2 M  X9 D/ |/ _

$ {0 V7 g5 M* r0 K2 u: d[ Chorus ]
/ n- ]2 E4 ]9 ?4 w2 o2 ]% }* X8 w
Who run it? [you know, you actin' like you don't know]
& U' W+ k2 [( a5 F$ U$ v9 @I tear the club up fo' sho
" Q* G- S9 ^. y* a5 ~$ T2 _[this flow is gon' bring more dough]
7 u! L" d5 p. {5 `6 ~( q3 z2 u- y. ^And you know but actin' like you don't know
+ L0 H# }* u; X' P* WWho run it? [i said you know, you actin' like you don't know]- ^6 T; i0 Q! e: u) t* s5 a  V. m
I tear the club up fo' sho
6 n( B$ D+ ^- ?) l* `4 @[this flow is gon' bring more dough]
, j" m( e4 C9 C2 Z3 E5 Y! A& iAnd you know but actin' like you don't know {cashis, break it down now!}! }0 y$ l, l0 O- X$ r5 C! V

/ w" m* ]/ L1 U% k# }  P[ Verse 3 ] [ Cashis ]+ B% g% h& M. F$ D8 g& _6 n" P! g
; |9 R+ k6 A6 H# S) C$ |
Pistol play, ricochet, see where the victim lay
& H! U5 d, p) gSlumped over bleedin', JFK
# Z3 Z5 q6 J# F4 NHK to your chest plate
$ c% U0 o: i9 W7 _Cave out and ride till the death, do you rep that way! s7 E3 N0 A# ]. b! U
Forever I’ma be a shady 7-4 gangster2 w- f: p$ z  u# R- t& A
Plus I survived everything you got in that chamber, E; G8 ^: T+ O6 |$ g$ L5 ~
I thrived off-a danger, jumpin' in all beef
# M3 |3 ?: I4 H7 l; PYou keep talkin' shit, now the squad called me.. [Banks!]
  n" l4 |4 [; }; Y5 z# x7 V0 E( i, r# o, t6 L+ Z3 @8 t
[ Verse 4 ] [ Lloyd banks ]
: I6 h/ |( K$ C% ]0 _
, w7 g$ r6 G, e9 s; t& LEnough holdin' back the steam (uh), Em let off a magazine
+ l+ ~$ F7 r- A3 KDappadon cappa-queens, mixed in with Cashis creams (yeah)2 F: W( c/ x2 G% J8 U
Started off with half a dream, developed into what you see# d5 l! Y6 m. D4 U$ B0 X  x
Tellin' ain't my cup of tea, can't tell I’m a fuckin' g [uh huh!]
  `; }8 J3 w  T* ]+ EI'ma hold a 'matic, when I’m at it, start static and you splattered
: L1 \/ Q% z4 `: b+ {0 o5 n1 mShit shattered, I’m a walkin' bitch magnet [oh!]
: |  x/ }- K! Q, g1 oSpit it how I live it, live it all the way to the limit
) [9 q: Y! Z# D4 r. i8 YAnd I’m always on my pivot for my digits, you dig it.. [come on!]6 i, k8 m  M: o0 `$ N  |
+ d4 r7 e4 T, C+ E! D
[ Chorus ]
5 ^6 b  a5 X6 E* |0 x  _5 f
& A  m- [! Y7 N0 L/ dWe run it! You know, you actin' like you don't know [whoa!]2 p; h4 ~2 H6 ?" H% I
I tear the club up fo' sho [fo' sho!]% A2 ]7 |; N/ C' x+ @8 A7 P% W: O
This flow is gon' bring more dough [more dough!]. K8 j* S( U8 g  y: x9 h9 z" w# ^
And you know but you actin' like you don't know [don't know!]
. k, c& k/ ~) Z& g# P" CWho run it? You know, you actin' like you don't know [yeah!]- b9 S& D4 z8 W) c% `1 m0 Q; u: ?7 B
I tear the club up fo' sho4 }' X: }1 Z% @* `" V
This flow is gon' bring more dough
9 _- a: O0 l% O0 h8 d. q/ ~% `And you know but you actin' like you don't know0 ]6 p" b6 e2 L9 t5 s+ D
Who run it?2 F. t) `' k0 O+ g: ]. ?6 d
: k9 m- ]  p* K+ b% x) f
[ Outro ] [ Tony Yayo ]
$ e) W. L; @6 y7 S9 {
  T: h5 n- T9 p6 m% P+ P1 LYou know what this is..4 ~: n. N1 j* o  v: ]
Shady.. G-unit.. Aftermath..
; J& R9 p4 F" L9 @Lloyd banks.. Cashis.. Marshall Mathers.. Ferrari F-50..
# d; P% O' p" k1 n) sIts a movement.. You can't stop it..5 B' [; J- B; [; t$ o
Talk of New York, Tony Yayo..
  k) ~  r% m; JGo.......
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8#
发表于 2007-4-7 23:05 | 只看该作者
引用第5楼ridk2007-04-07 14:51发表的“”:
( d- @3 p, f8 N7 X4 p0 V# \5 t1 T二战类的游戏多少都可能会涉及布拉格,如果你玩战地1942的话,继续搜集,可以从墙头刷到墙尾。德国军人喜欢边听瓦格纳的音乐边杀人,讲求形式上的和谐统一,看发条橙听贝多芬,表现暴力欲,再如Eminem的RAP,超越音乐的形式它们都是相通的。
* ]' f! E# V7 i' _9 i
# k$ i" R9 g0 {9 X
这个话题可以叫skywalker来主讲 [s:23]
  w9 @7 \& M0 _* W4 l1 W, E2 X: e& |2 M' e7 b8 i
另外07年的《mozart》也发生在布拉格
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9#
 楼主| 发表于 2007-4-8 16:31 | 只看该作者
引用第7楼candywren2007-04-07 23:05发表的“”:. J: E; r# t+ _7 ~" I

1 P8 c4 o  E; ?$ T/ h- O8 c  ~1 Q  P! `, K' k4 B) }  l3 C

% k2 B& J* c' b: P8 D7 Z这个话题可以叫skywalker来主讲 [s:23] . V! U+ [7 K# d( _& c& m* T, F

3 l% u3 W: w* x( c: h3 Y.......
  D6 }. [0 G3 Q" d/ x

  g# e/ s2 A3 s" ]: I* d对巴赫的d小调托卡塔与赋格更感兴趣,自由发挥与繁复的多节拍轮换,节奏鲜活悦耳适合当调节气氛的背景乐[s:22] 。
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10#
发表于 2007-4-9 09:15 | 只看该作者
很漂亮的画面,尤其是设定稿真是太有感觉了!我喜欢! [s:2]
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