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新作介绍 布拉格的派系之争Alternativa

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[新作介绍] 布拉格的派系之争Alternativa

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楼主
发表于 2007-4-6 18:10 | 只看该作者 回帖奖励 |倒序浏览 |阅读模式

布拉格的派系之争Alternativa

捷克开发小组First Reality正在制作一部黑暗科幻冒险游戏,从发布的游戏截图来看似乎很有现实感,灰暗的重工业区,环境透射金属质地的风格。故事讲述一个重装机械军事部队控制下的未来布拉格,到处被独裁势力的机器守卫渗透了,工作职位稀缺,被两家大公司Endora,Theolex实际把持。而当Endora总部宣布停业后,Richard Rocek在维权无望中加入抵制者的行列。游戏制作依然会采用传统第三人称视点,非线性叙事,少量角色扮演和恐怖成分。/ s8 ]; s( s" p7 i# B

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. s/ M! ]% i; j补发图片
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收藏收藏 分享分享 很美好很美好 很差劲很差劲
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沙发
发表于 2007-4-6 19:18 | 只看该作者
LZ这条消息有点让人摸不着头脑啊  能不能再详细点呢? [s:23]
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saphirblue 该用户已被删除
板凳
发表于 2007-4-6 21:54 | 只看该作者
为什么这么多游戏都选择布拉格呢?
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地板
 楼主| 发表于 2007-4-7 00:28 | 只看该作者
因为深厚的文化底蕴?从米兰昆德拉到周杰伦都描写过这座城市,既适合举办古典音乐会也可能蕴藏爆发一场战争,再把个人的恋情糅合进去,从各个角度欣赏都觉得像艺术品 [s:22] 。
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saphirblue 该用户已被删除
5#
发表于 2007-4-7 03:02 | 只看该作者
列举了一下有“布拉格”这一场景的以前的游戏呵呵:(加上现在这个)
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( n4 l# V$ q# j/ p! LStill Life
2 j2 K; }6 I1 [1 PNIBIRU
7 v7 O3 C9 }( s0 b+ z/ EBroken Sword 3 Sleeping Dragon- O& Q$ w3 t& j; X- B
Indiana Jones And The Emperor′s Tomb
* E2 d) t% I: ZTomb Raider 6 Angel Of Darkness/ J- P& x$ s5 W0 v. }6 z) v/ b
Vampire:The Masquerade
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好多啊,AVG也不少
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6#
 楼主| 发表于 2007-4-7 14:51 | 只看该作者
二战类的游戏多少都可能会涉及布拉格,如果你玩战地1942的话,继续搜集,可以从墙头刷到墙尾。德国军人喜欢边听瓦格纳的音乐边杀人,讲求形式上的和谐统一,看发条橙听贝多芬,表现暴力欲,再如Eminem的RAP,超越音乐的形式它们都是相通的。
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7#
 楼主| 发表于 2007-4-7 15:17 | 只看该作者
橙色的囚服看起来很亮眼。。。回想起沉默羔羊中的场面。& ?' v, ~4 F8 z) t- C1 c

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Eminem You Don't Know Lyrics 4 @8 @# [0 g% b  n. @6 @
[ Intro ]
+ G$ Y/ k8 d+ L$ A' J' n3 qEminem:Shady.. 50 Cent:Yeah..9 E% n" x7 P* B/ D( D/ ?$ d

6 y  @4 R2 j, ]" S8 Y" T- jWho run it? You know, you actin' like you don't know..
0 {! K# b) C) jWe run it.. You know but you actin' like you don't know..
% g8 [: B" o3 K; FWho run it? You know, you actin' like you don't know..# `2 k) n: [4 R7 r# S1 F
We run it.. You know but you actin' like you don't know..3 ?! [) }0 x6 l! c$ R' n- t
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[ Chorus ]
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+ i3 ~4 ?, q% |# T+ t5 PYou know, you actin' like you don't know' J; M- t3 t  D8 b3 b
I tear the club up fo' sho& e9 f7 _. ?& i
This flow is gon' bring more dough" _8 C, M1 s0 x6 y- Q
And you know but actin' like you don't know8 V6 ^: s  X+ G0 `+ ?6 b- u2 E! `. W
% D3 L6 Y1 w2 \9 [
[ Verse 1 ] [ 50 cent ]1 L7 n8 c1 t) M6 |( s* P4 U; L

" t. m* K5 d" ]2 p' u( D% y2 ?, fNow homie I say I run it run it cause I’m in control- R& D+ p6 {1 C' s( ~$ x
Hypnotic, hennessey, a couple shots of patrone
( F  {% v9 V0 a4 c. ]" _- HI have you feelin' the hype, I get you high as a kite$ c4 n& L, u  q/ {# t8 B7 ~, b
Party poppin' shorty said she's comin' with me tonight
2 w! z2 O; a: D/ M8 |4 _0 QI ain't shoulder leanin', I ain't snappin' and poppin'
  y: F7 z' O+ G) B% LEither I’m bobbin' my head or I’m just standin' there watchin' [uh huh!]" J' e4 e3 l- ?% B2 S6 e% g" @: {2 B
I'm a hustler I hustle, you can tell that I’m paid0 w: u+ U7 S  _" b
And I protect what I got, I’m in the house with my blade
* s" x4 y* s- f1 j* uNigga you front you gon' get it, ok now maybe I said it+ _- g" ?$ u! S% Y$ N/ B
'cause I want you triddip, yeah I be on that shiddit
: O- e8 O* |3 L* Z! GYou should see when I’m stuntin' I flash the stones that be wantin' (haha!)3 L6 h$ c* {3 r( h/ ~8 B# N
Push the whip see me rollin', you can tell that I’m holdin'  Z0 G5 T0 }. L5 d) x
I'm just doin' my thang, you know the units the gang) u+ b2 u4 W, R: Y4 L1 n* u
I got my grimey shady with me you front you'll have to get me0 z- n9 A6 g, W+ t; e6 b  w+ x) |
Off your ass (yeah!), I pay the lawsuit and laugh (haha!)
, k! M+ I7 P3 v+ j+ KIt's not a big deal it's nuttin' but some cash.. [bring the hook back!]
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[ Chorus ]3 U% D; C/ F  f5 D4 i

$ }7 ^8 f+ }; B3 p) }9 nWho run it? You know, you actin' like you don't know. \4 g. Z# E! I$ K7 K
I tear the club up fo' sho
$ S+ w2 w- ^. W  F+ O, XThis flow is gon' bring more dough [fifty]
% I, g/ ]$ F% G: f' L* y# EAnd you know but actin' like you don't know [g-unit!]
! I) k8 b; ?+ e& m; d0 M3 B9 XWho run it? You know, you actin' like you don't know
, F3 b% o  n6 U2 UI tear the club up fo' sho
* j2 ]8 l) m4 ]! z/ c' ^This flow is gon' bring more dough [yeah!]
4 C2 }9 Y6 d" gAnd you know but actin' like you don't know) Y8 A9 l3 {, o7 V. W5 u6 R' o' l

0 c3 I' n+ i0 A& q[ Verse 2 ] [ Eminem ]
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, o, G# j/ E! N: d/ U4 M& LWhen me and fif got together to do this music6 E( {& B- H) V" K/ ?7 E# ~' \  ^
The more we became enveloped we just developed a fellowship through it, P1 k2 H$ O" G5 i7 u+ n% N, ]
It's no pretend shit, it's friendship, me nemisis is su nemisis
8 k' R! \5 r/ E9 _- lSame for him, it's just media, see to them it's just images [come on!]" n/ }) m9 q$ U( R; d7 n
But this shit is new gimmicks, this is blood in and blood out (whoooo!)
  n5 B( |% Z. a+ ~% Q" eWhen it's beef you jus' gotta know when to butt in and butt out' J$ V4 \" v* b2 X
If there's a problem we solve it, we don't resolve it4 @! ?3 |& f0 u: c  W/ z
It just usually jus' evolves into one big brawl and we all get involved in it [yeah!]
) E- d/ [/ S' e  ?3 q( U" @, B9 [5 xWe should all get a merit, as much beef we inherit
- s6 |% z- K7 y8 v) M! x6 MAnd wear it like a badge of honor, pass it around and share it" Q: |8 m! P% h7 D9 A
And let it go to whoevers holdin' the most current beef on their shoulders
1 o4 ]2 J& {* c0 R) I. hAnd their soldiers got their backs till it's over2 Y* l- v) g. J
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But tonight, we ain't comin' here to beef with nobody
- ]( f2 y1 k0 {7 Z  V2 aWe came to party, Banks, Cashis and Mr. Ferrari6 M+ o7 Z# u/ S8 k- u
So it's shady after-mizz-ath back in that ass, you izz-ass [yeah.. Come on!]
* r! e' |& I0 ?0 t: \9 m* d2 E- QCome izzon what kinda fizz-uckin' question is that.. (haaa!)
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2 j; q& H' f6 P[ Chorus ]/ O9 X& a& n) U

$ Y. u, ]5 Y, s- W) DWho run it? [you know, you actin' like you don't know]
9 E" [. S+ d& ^9 ?; B4 }I tear the club up fo' sho( z- m( e$ p3 W# U  n; }& n; o
[this flow is gon' bring more dough]* ?. L' y# H. h/ R+ n
And you know but actin' like you don't know, A. t8 `* E6 B4 b4 ~& j5 C$ v* r
Who run it? [i said you know, you actin' like you don't know]
$ t% @$ `5 O. O0 J$ L9 QI tear the club up fo' sho
9 r; U& G; }  P9 w; _[this flow is gon' bring more dough]
+ i% F6 C7 r4 _; G/ C. g. L5 {$ WAnd you know but actin' like you don't know {cashis, break it down now!}4 D% X# `! a* F* t! Y, L# j$ v
* ]" ?" O5 Q0 @& E& \
[ Verse 3 ] [ Cashis ]
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6 u1 A2 K! I* E* x. [8 |" [0 V2 `Pistol play, ricochet, see where the victim lay
5 j) Q: u6 ?9 [8 X" S& {1 w# J5 w: WSlumped over bleedin', JFK
7 v8 l7 Z; e" e% b$ ?HK to your chest plate
- r' Q, Z" C6 q) }0 b- mCave out and ride till the death, do you rep that way9 L5 A" N- x1 _
Forever I’ma be a shady 7-4 gangster
9 R, Y+ p1 d' e) D- o" C+ w9 l6 U3 cPlus I survived everything you got in that chamber
$ e3 m% F2 T/ Z1 aI thrived off-a danger, jumpin' in all beef
  y# g! B0 {2 v( @You keep talkin' shit, now the squad called me.. [Banks!]
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5 t3 ~7 @2 M8 d0 U) F[ Verse 4 ] [ Lloyd banks ]- E( a5 Z$ Q% u9 t- d# g- O

: t  y/ d* K, i) B' X$ C% U; f9 G: [Enough holdin' back the steam (uh), Em let off a magazine
( q" o6 K8 D9 u  kDappadon cappa-queens, mixed in with Cashis creams (yeah)' }# D, D9 ?, u8 R( J+ t6 p
Started off with half a dream, developed into what you see# w5 v; r- G# u. N
Tellin' ain't my cup of tea, can't tell I’m a fuckin' g [uh huh!]
) P5 c. B) D$ eI'ma hold a 'matic, when I’m at it, start static and you splattered
# o% P7 g1 V; @2 B: d) @) S: {; MShit shattered, I’m a walkin' bitch magnet [oh!]" N) K0 r! l" I. B+ v6 y# t
Spit it how I live it, live it all the way to the limit& o4 H6 p/ ^; {4 u* q
And I’m always on my pivot for my digits, you dig it.. [come on!]
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[ Chorus ]4 e% i8 b  l4 ?. |
; [: D) D8 j7 B  Y2 O8 n
We run it! You know, you actin' like you don't know [whoa!]2 U6 D* r. _5 b4 Y; _, h8 f3 y
I tear the club up fo' sho [fo' sho!]
2 ?. ~+ D( f- }/ kThis flow is gon' bring more dough [more dough!]
! B/ c/ G  d1 o; u  Q5 W* O( t" i/ }And you know but you actin' like you don't know [don't know!]8 x2 w( _2 J# Y* k8 y
Who run it? You know, you actin' like you don't know [yeah!]6 M9 W" g- i2 U) u! X  d$ S2 i
I tear the club up fo' sho& x' R  x, y: c% U) M4 Z
This flow is gon' bring more dough# V+ s  {, T. ~% Q: m4 ^
And you know but you actin' like you don't know4 @+ x' K/ m- l& M
Who run it?( N* T8 y% I" f9 E7 u0 S
3 J* V; V+ I/ }- t* c
[ Outro ] [ Tony Yayo ]
  z* t" B& v' |$ q3 \% ^$ S; C+ ^* D' j0 f( F
You know what this is..
9 ?) d- n/ l; Y! ?+ {; pShady.. G-unit.. Aftermath..
9 n) `9 ~4 z/ G& f( q7 wLloyd banks.. Cashis.. Marshall Mathers.. Ferrari F-50..$ E# ~9 [0 G  X4 v
Its a movement.. You can't stop it..
  b; A3 P  @' O4 ]5 N5 m: k$ vTalk of New York, Tony Yayo..
& J9 j4 v8 K- v" g- s! {0 JGo.......
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8#
发表于 2007-4-7 23:05 | 只看该作者
引用第5楼ridk2007-04-07 14:51发表的“”:3 w: [. X  L. t1 q+ H; N' ]0 h
二战类的游戏多少都可能会涉及布拉格,如果你玩战地1942的话,继续搜集,可以从墙头刷到墙尾。德国军人喜欢边听瓦格纳的音乐边杀人,讲求形式上的和谐统一,看发条橙听贝多芬,表现暴力欲,再如Eminem的RAP,超越音乐的形式它们都是相通的。
* I. q8 }$ I/ |
9 L2 t3 y: R! s" d2 U: v5 Y& ?
这个话题可以叫skywalker来主讲 [s:23]
7 A: o) }7 Q4 q
4 o& P$ \/ ?3 r2 i另外07年的《mozart》也发生在布拉格
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9#
 楼主| 发表于 2007-4-8 16:31 | 只看该作者
引用第7楼candywren2007-04-07 23:05发表的“”:
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这个话题可以叫skywalker来主讲 [s:23]
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) M& e$ Q5 Y/ K' r" ~- G.......

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对巴赫的d小调托卡塔与赋格更感兴趣,自由发挥与繁复的多节拍轮换,节奏鲜活悦耳适合当调节气氛的背景乐[s:22] 。
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10#
发表于 2007-4-9 09:15 | 只看该作者
很漂亮的画面,尤其是设定稿真是太有感觉了!我喜欢! [s:2]
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